Sunday, March 3, 2024

folkloric traditions of Latin America, .magical realism and Social and Political Commentary:

 Explain folkloric traditions of Latin America, .magical realism and  Social and Political Commentary:

Folkloric Traditions of Latin America:

Latin America is rich in diverse cultural traditions, many of which stem from indigenous, African, and European influences. Folkloric traditions encompass a wide range of customs, beliefs, rituals, and storytelling practices that have been passed down through generations. These traditions often reflect the region's complex history, blending indigenous cosmologies with Catholicism and African spiritual beliefs.


Some common elements of Latin American folklore include:


Mythical creatures and spirits, such as the chupacabra, La Llorona, and the Cadejo.

Folk music and dance, such as the Argentine tango, Brazilian samba, and Mexican mariachi.

Festivals and celebrations, such as Día de los Muertos (Day of the Dead) in Mexico and Carnival in Brazil.

Oral storytelling traditions, including legends, myths, and folktales that explain the origins of natural phenomena and cultural practices.

Magical Realism:

Magical realism is a literary genre that originated in Latin America and is characterized by its blending of magical or fantastical elements with everyday reality. In magical realist literature, fantastical events are presented in a matter-of-fact manner, blurring the boundaries between the mundane and the extraordinary. This genre often explores themes such as identity, memory, history, and the relationship between humans and nature.


Some key features of magical realism include:


Vivid and evocative imagery that transports readers to fantastical realms while maintaining a sense of groundedness in reality.

Complex and multi-layered narratives that weave together multiple storylines, perspectives, and temporalities.

Symbolism and allegory that allow authors to explore social, political, and philosophical themes in a subtle and nuanced manner.

A deep connection to the cultural and folkloric traditions of Latin America, drawing inspiration from indigenous cosmologies, colonial histories, and contemporary social realities.

Social and Political Commentary:

Magical realism often serves as a vehicle for social and political commentary, allowing authors to explore pressing issues and critique power structures in society. By incorporating fantastical elements into their narratives, authors can illuminate underlying truths about the human condition and the complexities of social relations.


Some common themes addressed through magical realism include:


Power dynamics and social hierarchies, including issues of race, class, gender, and ethnicity.

Colonialism and its lasting effects on indigenous communities and cultural identities.

Resistance and resilience in the face of oppression and injustice, often drawing inspiration from historical events and figures.

Environmental degradation and the consequences of human exploitation of natural resources.

Memory and trauma, particularly in relation to collective experiences of violence, displacement, and loss.

In summary, magical realism in Latin American literature draws heavily from the region's rich folkloric traditions to weave intricate narratives that blur the boundaries between reality and imagination. Through its use of fantastical elements, magical realism provides a lens through which authors can explore social, political, and cultural issues with depth and complexity, leaving a lasting impact on readers worldwide.


It seems like you're referring to the literary genre of magical realism as explored by the renowned Colombian author Gabriel García Márquez. García Márquez is often considered one of the foremost practitioners of magical realism, a genre that seamlessly blends fantastical elements with everyday reality. Here's a brief overview of magical realism as seen through the works of Gabriel García Márquez:


Blending of Real and Magical Elements:

Magical realism is characterized by its integration of magical or fantastical elements into a realistic narrative setting. García Márquez's novels, such as "One Hundred Years of Solitude" and "Love in the Time of Cholera," feature ordinary characters and settings imbued with extraordinary occurrences, such as levitation, telepathy, and prophetic dreams.


Sense of Wonder and Mystery:

Magical realism evokes a sense of wonder and mystery by presenting fantastical events in a matter-of-fact manner. García Márquez's prose is marked by its lush descriptions and vivid imagery, which immerse readers in a world where the boundaries between the real and the magical blur.


Social and Political Commentary:

While magical realism often transports readers to fantastical realms, it also serves as a vehicle for social and political commentary. García Márquez uses magical realism to explore themes such as power dynamics, social injustice, and the cyclical nature of history. Through his allegorical narratives, he sheds light on the complexities of Latin American society and the human condition.


Cultural and Folkloric Influences:

Magical realism draws heavily from the rich cultural and folkloric traditions of Latin America. García Márquez incorporates elements of Colombian history, mythology, and folklore into his stories, creating a vibrant tapestry of local color and texture. His works are infused with the rhythms of Latin American life, from the bustling streets of small towns to the lush landscapes of the Caribbean coast.


Influence on Literature:

García Márquez's mastery of magical realism has had a profound influence on literature worldwide. His novels have inspired generations of writers to explore the boundaries of reality and imagination, paving the way for a new wave of magical realist literature in countries around the globe.


In summary, Gabriel García Márquez's magical realism is characterized by its seamless blend of the ordinary and the extraordinary, its evocative prose, and its rich cultural and folkloric influences. Through his groundbreaking works, García Márquez has left an indelible mark on the literary landscape, captivating readers with his unique vision of the world.




Sunday, February 18, 2024

Dictatorship and fascism

 Dictatorship and fascism are both forms of authoritarian governance, but they have distinct characteristics and ideologies. Here are the basic differences between the two:

  1. Nature of Power:

    • Dictatorship: In a dictatorship, power is concentrated in the hands of a single individual or a small group of individuals. The dictator or ruling elite exercise absolute authority over the government and the state.
    • Fascism: Fascism also involves a centralized and authoritarian form of government, but it is typically characterized by the dominance of a single leader who embodies the nation and its ideology. The leader often exerts charismatic authority and is supported by a political party or movement.
  2. Ideology:

    • Dictatorship: Dictatorships may arise from various ideological or pragmatic reasons and may not necessarily be rooted in a specific political ideology. The dictator's rule may be based on personal ambition, military power, or the need to maintain order.
    • Fascism: Fascism is a specific ideology that emphasizes nationalism, authoritarianism, and often, a racial or ethnic hierarchy. It glorifies the state, promotes militarism, and seeks to mobilize society under a single leader or party to achieve national regeneration or supremacy.
  3. Role of the State:

    • Dictatorship: While dictatorships may involve varying degrees of state control over society and the economy, they may not always seek to impose a comprehensive ideological agenda. The primary focus is often on maintaining political stability and control.
    • Fascism: Fascist regimes tend to exert extensive control over all aspects of society, including the economy, culture, education, and the media. The state becomes highly interventionist, using propaganda and censorship to promote the regime's ideology and suppress dissent.
  4. Relation to Democracy:

    • Dictatorship: Dictatorships typically emerge through the overthrow of democratic institutions or the suspension of democratic processes. They are characterized by the absence of free and fair elections, limited civil liberties, and the suppression of opposition.
    • Fascism: Fascist movements may initially gain power through democratic means but often seek to undermine or dismantle democratic institutions once in power. They reject liberal democracy and pluralism in favor of a totalitarian state that subordinates individual rights to the interests of the nation and its leader.

In summary, while both dictatorship and fascism involve authoritarian rule, fascism is a specific ideological form of authoritarianism characterized by nationalism, militarism, and totalitarian control, whereas dictatorship may manifest in various forms and may not necessarily be rooted in a specific ideology.

Saturday, February 17, 2024

Blake Snyder's "15 beats"

 Blake Snyder's "15 beats" 


Blake Snyder's "15 beats" refer to the key structural points in his screenwriting method outlined in his book "Save the Cat! The Last Book on Screenwriting You'll Ever Need." Here they are:


1. Opening Image: The first image or scene of the screenplay that sets the tone and introduces the audience to the world of the story.


2. Theme Stated: A statement or hint of the theme of the story, often delivered through dialogue or imagery, but not explicitly.


3. Set-Up: Introduces the main characters, their relationships, and the status quo of their lives before the central conflict arises.


4. Catalyst: The incident or event that disrupts the status quo and sets the main story in motion.


5. Debate: The protagonist's reaction to the catalyst, often involving internal conflict or hesitation about taking action.


6. Break into Two: The protagonist makes a clear decision to pursue a specific goal or course of action, leading to the second act of the story.


7. B Story: The secondary plotline or character arc that runs parallel to the main story and provides additional depth or context.


8. Fun and Games: The main portion of the second act where the protagonist faces challenges, obstacles, and conflicts while pursuing their goal, often with a sense of excitement or adventure.


9. Midpoint: A significant turning point in the story where the protagonist's initial plan fails, and they must adapt or change their approach.


10. Bad Guys Close In: The antagonist or opposing forces intensify their efforts to thwart the protagonist, increasing the stakes and tension.


11. All Is Lost: The lowest point for the protagonist, where they face a major setback or crisis, and all seems lost.


12. Dark Night of the Soul: A moment of reflection and despair for the protagonist, where they must confront their inner demons or flaws.


13. Break into Three: The protagonist finds renewed determination or insight, leading to a new plan or approach for the final act.


14. Finale: The climax of the story, where the protagonist confronts the antagonist or central conflict and resolves the main plotline.


15. Final Image: The closing image or scene that reflects the protagonist's transformation or the overall theme of the story, providing a sense of closure.

Friday, February 16, 2024

Is George Orwell an anti-communist?

 Is George Orwell an anti-communist?


George Orwell, the author of renowned works such as "Animal Farm" and "1984," is often perceived as critical of totalitarianism and authoritarianism, including the Soviet Union under Stalinism. While he was indeed critical of the Soviet regime, it's important to understand his perspective in context.


Orwell's experiences fighting in the Spanish Civil War, where he witnessed the actions of various factions including Stalinist Communists, anarchists, and Trotskyists, profoundly influenced his political views. He was disillusioned by the infighting and authoritarian tendencies within leftist movements. His allegorical novella "Animal Farm" is often interpreted as a critique of Stalinism, with its portrayal of the revolution on a farm devolving into a dictatorship under the pigs.


Similarly, "1984" is a dystopian novel that warns against the dangers of totalitarianism, surveillance, and the abuse of power. While Orwell was critical of Stalinism and the Soviet Union, his critique extended to any form of authoritarianism, including fascism and imperialism. He was deeply committed to democratic socialism and believed in the importance of individual freedom and social justice.


So, while Orwell's works can be seen as anti-communist in the sense that they criticize the totalitarian aspects of certain communist regimes, his critique is broader and encompasses any form of tyranny that threatens freedom and democracy.


 

Monday, October 9, 2023

avant-garde movement

 avant-garde movement 

The term "avant-garde" refers to a cultural, artistic, or literary movement that is innovative, experimental, and ahead of its time. Avant-garde movements often challenge established norms and conventions in their respective fields. These movements can be found in various art forms, including visual arts, literature, music, theater, and more. Here are a few notable avant-garde movements:


Dadaism (1916-1924): Dadaism emerged during and after World War I and was characterized by its rejection of traditional artistic and societal values. Dadaists often created absurd and nonsensical works of art, poetry, and performance as a form of protest against the prevailing order.


Surrealism (1920s-1930s): Surrealism sought to explore the unconscious mind and tap into the realm of dreams and the irrational. Artists like Salvador Dalí and René Magritte created fantastical and dreamlike artworks that challenged the boundaries of reality.


Cubism (early 20th century): Cubism, led by artists like Pablo Picasso and Georges Braque, transformed the way we perceive reality by breaking down objects and forms into geometric shapes and multiple perspectives. It was a significant departure from traditional representational art.


Futurism (early 20th century): Futurism celebrated the technological advancements and the dynamism of modern life. Artists like Filippo Marinetti glorified speed, machinery, and progress in their works, often employing fragmented and abstract imagery.


Abstract Expressionism (1940s-1950s): This movement, primarily in the United States, emphasized spontaneous, gestural, and non-representational forms of art. Artists like Jackson Pollock and Willem de Kooning used techniques such as "drip painting" to express their emotions and inner thoughts on canvas.


Minimalism (1960s): Minimalist artists, like Donald Judd and Dan Flavin, reduced their works to essential elements, often characterized by simple geometric forms, clean lines, and a focus on the purity of materials. Minimalism aimed to strip art down to its bare essentials.


Performance Art (1960s-present): Performance art blurs the lines between art and life by using the artist's body as the medium. Artists like Marina Abramović and Yoko Ono have pushed the boundaries of what constitutes art through live performances that can be physically and emotionally challenging.


Conceptual Art (1960s-present): Conceptual artists prioritize ideas and concepts over traditional aesthetics. Works of conceptual art often involve language, documentation, and intellectual exploration. Artists like Sol LeWitt and Joseph Kosuth are associated with this movement.


These are just a few examples of avant-garde movements that have emerged over the years. Each movement challenged the status quo in its own way and contributed to the evolution of art and culture. The avant-garde continues to inspire and influence contemporary art today.

Thursday, September 28, 2023

List of the most popular journalists in English all over the world

 List of the most popular journalists in English all over the world

 

1.       Bob Woodward: An investigative journalist known for his work on the Watergate scandal and numerous books on American politics.

 

2.       Christiane Amanpour: CNN's chief international anchor and host of Amanpour, known for her in-depth international reporting.

 

3.       Gwen Ifill (1955-2016): A respected American journalist and former moderator and managing editor of "Washington Week" and co-anchor of the "PBS NewsHour."

 

4.       Rukmini Callimachi: A journalist known for her coverage of ISIS and terrorism for The New York Times.

 

5.       Tom Friedman: A Pulitzer Prize-winning columnist for The New York Times, known for his commentary on globalization and foreign affairs.

 

6.       Marie Colvin (1956-2012): A brave war correspondent for The Sunday Times, known for her fearless reporting from conflict zones.

7.       David Fahrenthold: A Washington Post reporter who gained prominence for his investigative reporting during the 2016 U.S. presidential campaign.

 

8.       Rukmini Callimachi: A journalist known for her reporting on terrorism and extremism, formerly with The New York Times.

 

9.       Lyse Doucet: Chief international correspondent for the BBC, known for her extensive reporting from conflict zones.

 

10.   Jon Stewart: While primarily a comedian and television host, Jon Stewart's satirical news program "The Daily Show" had a significant influence on political journalism.

 

11.   Ta-Nehisi Coates: A writer and journalist known for his insightful commentary on race, culture, and politics in the United States.

 

12.   Fareed Zakaria: An Indian-American journalist, political commentator, and author known for his work on international affairs and globalization.

 

13.   Maria Ressa: A Filipino-American journalist and CEO of Rappler, known for her investigative reporting and advocacy for press freedom.

 

14.   Ezra Klein: A journalist and co-founder of Vox, known for his insightful analysis of politics and policy.

 

15.   Maggie Haberman: A Pulitzer Prize-winning journalist with The New York Times, known for her coverage of the Trump administration.

 

16.   Nick Kristof: A Pulitzer Prize-winning columnist for The New York Times, known for his humanitarian reporting.

 

17.   Glenn Greenwald: An investigative journalist known for his reporting on government surveillance and national security issues.

These journalists have made significant contributions to the field of journalism and have left a lasting impact on the way we understand and engage with news and current events.

Wednesday, September 27, 2023

On European Realism - Anantu Chintapalli

 On European Realism - Anantu Chintapalli

 

ఉదాహరణకి మీ కథా ఇతివృత్తంకుక్కఅయితే అందులో వాస్తవికత ఎంత? వాస్తవికేతరత ఎంత? బేరీజు వెయ్యడానికి క్రింది ప్రశ్నలను గమనించండి.

 

1.   మీరెప్పుడైనా కుక్కని చూశారా?

చూస్తే గనక అది దృగ్విషయం (Phenomenal), స్వానుభవం (Empirical).

 

2.   మీకు కుక్క తెలుసా?

తెలిసిఉంటే అది కుక్క పట్ల ఎరుక (Epistemological).

 

3.   మీకు కుక్కల్లో ఉండే రకాలు వాటి జాతులు తెలుసా?

తెలిసి ఉంటే అది కుక్కల వర్గీకరణ (Ontological)

 

4.   కుక్క కరుస్తుందని మీకు తెలుసా? కరిస్తే ఏం చెయ్యాలో మీకు తెలుసా?

తెలిసి ఉంటే మీరొక శాస్త్రీయ ప్రతినిధి (Professional).

 

5.   మీకు కుక్కలంటే ఏవేవో భయాలు, చీదర, ఎలర్జీలు ఉన్నాయా?

ఉంటేగనక మీ రచనలో మనోవైఙ్ఞానికశాస్త్ర (Psychological) ప్రమేయం అవసరం కావచ్చు.

 

6.   కుక్కల మూలంగా పర్యావరణంపై దుష్ఫలితాలు ఉండవచ్చని అనుకుంటున్నారా?

అయితే పర్యావరణ చైతన్యంపై దృష్టి పెట్టాల్సి ఉంటుంది.

 

మీకు పై అంశాల పట్ల పరిపూర్ణమైన అవగాహన, అంగీకారం ఉన్నట్లయితే మీరు కుక్క రచనకు పూనుకోవచ్చు. లేదా మీ కుక్క రచన వాస్తవికతకు దూరంగా ఉండిపోయే ప్రమాదం ఉంది.

 

7.   అమూర్తత అనేది, నిర్దిష్టత

 

అమూర్తత అనేది, నిర్దిష్టత వాస్తవికవాదానికీ, వాస్తవికేతరవాదాలకూ మధ్యేమార్గంగా అమూర్తత (Abstraction)ను గుర్తించడం జరుగుతోంది. అమూర్తత అనేది, నిర్దిష్టత (Concrete)కు వ్యతిరేకం.

 

 

 

8.   కుక్క ఉదాహరణతోనే అమూర్తతను అర్థం చేసుకోవడం.

 

ఒక పిల్లవాడిని కుక్క బొమ్మను గీయమని అడగండి. అతడు వెంటనే ఒక బొమ్మని గీస్తాడు. దానికి తల, కళ్లు, చెవులు, శరీరం, తోక, కాళ్లూ అన్నీ ఉంటాయి. కానీ అది అతడి కుక్క. అటువంటి కుక్క ఎక్కడా ఉండబోదు. ఎందుకంటే జాతికీ చెందినది కాదు; దానికి నిర్దిష్టతలేదు. అందుకే అది ఫలానా కుక్క కాదు. అది పిల్లవాడి ఊహ మాత్రమే.

 

భారతదేశంలో కనిపించే వీధి కుక్కల జాతుల వివరాలు నమోదు చెయ్యబడ్డాయా?  వివరాల పట్ల మనకు వున్న నిర్లక్ష్యం ఏమో?

 

9.    కుక్క మీ గురించి ఏమనుకుంటుందో ఎప్పుడైనా ఆలోచించారా?

 

10.               మీరే ఒక కుక్క అయితే

చివరిగా, మీరే గనక ఒక కుక్క అయితే పరిసరాల గురించి ఎలా ఆలోచిస్తారు.

ఇవేవీ తెలియకుండా, తెలుసుకోకుండా మీరు కుక్క కథ రాసేస్తే అది నిర్దిష్టమైన కుక్క కాజాలదు. అది మీ ఊహ మాత్రమే. అది వాస్తవికత అవుతుందా?

 

ఇప్పుడు కుక్క అనే పదానికి బదులు, స్వర్గం అనే మాట వాడదాం. స్వర్గం ఉంటుందనీ, ఫలానా విధంగా ఉంటుందనీ చాలా మంది నమ్ముతారుగానీ చూసినవారులేరు. (కుక్కనైతే కనీసం అందరం చూశాం). పోనీ కుక్కకి బదులు కాటికాపరి అనే పదం వాడామే అనుకోండి. ఎవరీ కాటికాపరి? అతనికీ నిర్దిష్టత లేదు...అలాగే హిజ్రా, సమాధులకోసం గోతులు త్రవ్వేవాడు, బిచ్చగాడు...ఎవరు వీరంతా?? మీ ఊహలలో, నిర్దిష్టతలకు ఎడంగా, అమూర్తంగా ఉండిపోయే వీరితో కథ వ్రాస్తే అది వాస్తవికత అవుతుందా?

 

సామ్యవాద వాస్తవికత – నాలుగు సూత్రాలు

 

వాస్తవికేతర గందరగోళం నుండి దూరంగా తొలగేందుకై సోవియట్ కమ్యూనిస్టు పార్టీ, మాక్సిం గోర్కీని సామ్యవాద వాస్తవికతపై ఒక సిద్ధాంత గ్రంథాన్ని రూపొందించమని అడిగినప్పుడు అతడు బృహత్ కార్యానికి తాను తగనని చెప్పి సున్నితంగా తిరస్కరించాడు. అయితే సోషలిస్టు రియలిజంకు మూల స్తంభాలుగా నిలిచే నాలుగు సూత్రాలను ప్రతిపాదించాడు:

 

 

1.     రచనైనా, కళారూపమైనా కార్మికవర్గానికి (ప్రోలెటేరియట్) దన్నుగానే నిలబడాలి.

 

2.     కళారంగ ఉత్పత్తులు అట్టడుగు వర్గాల జీవితాలను ప్రతిబింబిస్తూ, అనుభవాలను నమోదుచేస్తూ, వారికి అర్థం అయ్యేటట్టుగా ఉండాలి.

 

3.     రచయితలూ, కళాకారులూ ఎంచుకొనే ఇతివృత్తాలు సామాజిక మార్పులను ప్రతిబింబించాలి.

 

4.     కళారంగ లక్ష్యాలు కార్మిక రాజ్యపు లక్ష్యాల పరిధిలోనే ఉండాలి.

 

తెలుగు సాహిత్యానికి వస్తే, కొద్ది మినహాయింపులలో - (ఉదా. శ్రీశ్రీ ప్రయోగాలు కొన్ని, బుచ్చిబాబు, త్రిపుర) మన రచనల్లో సుమారు 90 శాతం వాస్తవికవాద రచనలే. పరిణామాన్ని ఆధునికత వైపుగా సమాజం చేస్తూన్న ప్రయాణంగానూ, ముఖ్యంగా తెలుగు రాష్ట్రాలలో చెలరేగిన ప్రజాపోరాటాల, రాజకీయ సాహిత్యోద్యమాల ఫలితం అని భావించవచ్చు.

 

వాస్తవికవాదం చేసిన చెరుపు

 

ప్రపంచవ్యాప్తంగానూ, అలాగే మన సాహిత్యానికీ ఎంతో మంచిని చేసిన వాస్తవికవాదం, కొంత చెరుపుని కూడా చేసింది. మన పౌరాణిక, జానపద, గ్రామీణ మూలాల్లోని వాస్తవికేతర ధోరణులను విస్మరించి వాటినే చుట్టూ తిరిగి పాశ్చాత్య, లాటిన్ అమెరికన్ రచనల ద్వారా కొత్తగా తెలుసుకుంటున్నాం, గుర్తిస్తున్నాం (ఉదా : మేజికల్ రియలిజం). వాస్తవికవాదాన్ని కళారంగాలకు అన్వయించడం అంటే కొన్ని పార్టీల రాజకీయ అజెండాకు లోబడి ఉండాలనుకొనే సంకుచిత్వాన్నీ, ప్రమాదాన్నీ ఎదుర్కొంటున్నాం. ఏది ఏమైనప్పటికీ ధోరణులపై మరింత విస్తృతమైన చర్చ జరగాల్సి ఉంది.

 

 

 

 

 

 

 

 

 

 

 

సోషలిస్టు వాస్తవికతకే బాలగోపాల్

 

సోషలిస్టు వాస్తవికత' అనే తొలినాటి సోవియట్ సాహిత్య సిద్ధాంతం, రోజు పెద్దగా ప్రచారంలో లేదు గానీ అది అలవరచిన వైఖరి తెలుగులో అభ్యుదయ సాహిత్యాన్నేకాక మొత్తంగా తెలుగు కథా సాహిత్యాన్ని (కొద్ది మినహాయింపులతో) ఇంకా వదిలి పెట్టినట్టు లేదు. తెలుగులో కథా సాహిత్య శిల్పం మొత్తం మీద ఇంకా 'రియలిజం' పరిధులు దాటిపోలేదు. నిజ జీవితంలో లాగ తెలుగు కథా సాహిత్యంలో కూడ కాలం ఎప్పుడూ గతం నుండి భవిష్యత్తు వైపే ప్రవహిస్తుంది. కార్యకారణ సంబంధాలు కర్త కర్మ క్రియలలాగ ఉండవలసిన చోటే ఉంటాయి. చైతన్యాన్ని ఎప్పుడూ పదార్థమే నిర్ణయిస్తుంది. 'శాస్త్రీయ దృక్పథం' పాటించాలన్న నియమం లేని పిల్లల సాహిత్యానికి మాత్రమే గురుత్వాకర్షణ సిద్ధాంతాన్నీ హేతువాద తర్కాన్నీ తిరస్కరించే లైసెన్స్ ఇవ్వబడింది.”

 

(బుర్ర రాములు రాసిన 'ఏడో సారా కథ'కు  బాలగోపాల్ ముందుమాట, పర్స్పెక్టివ్ ప్రచురణ, జులై 1995)